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Kahaani : Karnal Footpath book stall.
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Celebrating 100 likes – Thank you! 10:57 0
Celebrating 100 likes – Thank you! 10:57 0Celebrating 100 likes – Thank you! 10:57 0 Today we celebrate our simple milestone as we’ve reached hundred likes as of 13...[...]
Karnal citizen pre celebration of lohri festival... 10:36 0
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Kahaani : Karnal Footpath book stall. 22:42 1
Kahaani : Karnal Footpath book stall. 22:42 1Kahaani : Karnal Footpath book stall. 22:42 1 Intro : Kahaani column is all about the 'hidden' or 'under the table' kind of...[...]
Karnal ka sabse oldest footpath book stall . its more then 50+ years old book stall. pahle ye stall in ke papa ne yaha shoru kiya tha phir ye person jo ab is stall par batha hai 'Ram ji' (name Changed he refused to tell original name) ka kahana hai vo apna ghar is stall se chalata hai jis ki daily 50 se 250 tak ki sale hoti ab usko yaha se 50 saal ke baad hata diya jaya hai kuch parking space ke reasons ke karan !
My first story of this footpath book stall. It is there since ages only may be the son is running it now. Of course the books are different now. Some of the copies are xeroxed from the original.
Karnal ka sabse oldest footpath book stall . its more then 50+ years old book stall. pahle ye stall in ke papa ne yaha shoru kiya tha phir ye person jo ab is stall par batha hai 'Ram ji' (name Changed he refused to tell original name) ka kahana hai vo apna ghar is stall se chalata hai jis ki daily 50 se 250 tak ki sale hoti ab usko yaha se 50 saal ke baad hata diya jaya hai kuch parking space ke reasons ke karan !
My first story of this footpath book stall. It is there since ages only may be the son is running it now. Of course the books are different now. Some of the copies are xeroxed from the original.

Want flat tummy in 7 days with only 5 steps 21:48 1
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Matru Ki Bijlee Ka Mandola ( @ @ @) Movie Review 07:38 0
Matru Ki Bijlee Ka Mandola ( @ @ @) Movie Review 07:38 0Matru Ki Bijlee Ka Mandola ( @ @ @) Movie Review 07:38 0Matru Ki Bijlee Ka Mandola...[...]
Karnal Life Says: ***
Story: Haryanvi feudal Harry Mandola wants to sell village lands for malls - can Matru, Bijlee and 'Mao' stop him?
Movie Review: Matru Ki Bijlee Ka Mandola (MKBKM) mirrors the dangers of self-indulgence - of texting and ghee, alcohol and directorial profligacy. The film is based on a little gem of a story - a drunken Haryanvi feudal Harry Mandola (Kapur) wants to sell villagers' lands but is challenged by daughter Bijlee (Sharma), assistant Matru (Khan) and surprisingly, his own drunken self that turns softly socialist at the pour of a peg.
Some lines are dazzlers - "Bachpan se dekh raha hoon, tum dono ki jodi jaise Mukesh aur Nita Ambani!", Matru growling at Bijlee, "Apne andar ke jaali saaf karle - haunted house lagne lagi hai,", sinister CM Choudhary Devi (Azmi) chiding brainless beta Badal (Babbar), "Yahi farak hai tum mein aur Rahul, Sachin aur Jyotiraditya mein!" Indeed, lines like gulabi bhains, sapnon ka Lokpal and the say-no-more pancho-pancho tickle you outside the theatre too. Quite like Kapur's performance, as comfortingly elegant as a velvet dressing gown, his comedy silken as mumbling, drunken Harry, his anger tight like a cord as sober Mandola who dreams of money and won't let reality stand in his way - even if that means pledging his darling Bijlee to a loveless life with baba-log brute Badal (Babbar, delivering to the dot).
But here's my angst - this movie could have been so much more. Like champagne gone flat, the film's left lying about for too late, its plot meandering everywhere (including a plane ride through moon-lit clouds, ending in a Maoist meeting), the director so determined to have fun that often, the viewer doesn't. Sure, there are hilarious moments involving pink buffaloes and deep wells, Shakespeare and Sheila Dixit, even a laal rang ka kachcha, and it's all very clever - but where's the self-control? With its intellectual foundation and dramatic potential, MKBKM needed disciplined direction, not wandering shots, predictable banter or dull crudity.
On the upside, Azmi's performance is effortlessly evil until the last swig. Anushka plays her now-familiar loud-spunky-sexy babe, unconvincing but attractive as an eccentric rustic. But despite her Pond-girl entry in see-through top and teeny shorts, Mandola's heart-throb is Imran Khan who's red-hot (literally), stubble and a sardonic air pumping his sex-appeal. With its Trilbys and tractors, malls and Maoism, its stretch limo and smart-boy! lines, MKBKM could have been such a fun ride. But sadly, director ka bhi man dola, rather too often.
Karnal Life Says: ***
Story: Haryanvi feudal Harry Mandola wants to sell village lands for malls - can Matru, Bijlee and 'Mao' stop him?
Movie Review: Matru Ki Bijlee Ka Mandola (MKBKM) mirrors the dangers of self-indulgence - of texting and ghee, alcohol and directorial profligacy. The film is based on a little gem of a story - a drunken Haryanvi feudal Harry Mandola (Kapur) wants to sell villagers' lands but is challenged by daughter Bijlee (Sharma), assistant Matru (Khan) and surprisingly, his own drunken self that turns softly socialist at the pour of a peg.
Some lines are dazzlers - "Bachpan se dekh raha hoon, tum dono ki jodi jaise Mukesh aur Nita Ambani!", Matru growling at Bijlee, "Apne andar ke jaali saaf karle - haunted house lagne lagi hai,", sinister CM Choudhary Devi (Azmi) chiding brainless beta Badal (Babbar), "Yahi farak hai tum mein aur Rahul, Sachin aur Jyotiraditya mein!" Indeed, lines like gulabi bhains, sapnon ka Lokpal and the say-no-more pancho-pancho tickle you outside the theatre too. Quite like Kapur's performance, as comfortingly elegant as a velvet dressing gown, his comedy silken as mumbling, drunken Harry, his anger tight like a cord as sober Mandola who dreams of money and won't let reality stand in his way - even if that means pledging his darling Bijlee to a loveless life with baba-log brute Badal (Babbar, delivering to the dot).
But here's my angst - this movie could have been so much more. Like champagne gone flat, the film's left lying about for too late, its plot meandering everywhere (including a plane ride through moon-lit clouds, ending in a Maoist meeting), the director so determined to have fun that often, the viewer doesn't. Sure, there are hilarious moments involving pink buffaloes and deep wells, Shakespeare and Sheila Dixit, even a laal rang ka kachcha, and it's all very clever - but where's the self-control? With its intellectual foundation and dramatic potential, MKBKM needed disciplined direction, not wandering shots, predictable banter or dull crudity.
On the upside, Azmi's performance is effortlessly evil until the last swig. Anushka plays her now-familiar loud-spunky-sexy babe, unconvincing but attractive as an eccentric rustic. But despite her Pond-girl entry in see-through top and teeny shorts, Mandola's heart-throb is Imran Khan who's red-hot (literally), stubble and a sardonic air pumping his sex-appeal. With its Trilbys and tractors, malls and Maoism, its stretch limo and smart-boy! lines, MKBKM could have been such a fun ride. But sadly, director ka bhi man dola, rather too often.
Karnal Life Says: ***
Story: Haryanvi feudal Harry Mandola wants to sell village lands for malls - can Matru, Bijlee and 'Mao' stop him?
Movie Review: Matru Ki Bijlee Ka Mandola (MKBKM) mirrors the dangers of self-indulgence - of texting and ghee, alcohol and directorial profligacy. The film is based on a little gem of a story - a drunken Haryanvi feudal Harry Mandola (Kapur) wants to sell villagers' lands but is challenged by daughter Bijlee (Sharma), assistant Matru (Khan) and surprisingly, his own drunken self that turns softly socialist at the pour of a peg.
Some lines are dazzlers - "Bachpan se dekh raha hoon, tum dono ki jodi jaise Mukesh aur Nita Ambani!", Matru growling at Bijlee, "Apne andar ke jaali saaf karle - haunted house lagne lagi hai,", sinister CM Choudhary Devi (Azmi) chiding brainless beta Badal (Babbar), "Yahi farak hai tum mein aur Rahul, Sachin aur Jyotiraditya mein!" Indeed, lines like gulabi bhains, sapnon ka Lokpal and the say-no-more pancho-pancho tickle you outside the theatre too. Quite like Kapur's performance, as comfortingly elegant as a velvet dressing gown, his comedy silken as mumbling, drunken Harry, his anger tight like a cord as sober Mandola who dreams of money and won't let reality stand in his way - even if that means pledging his darling Bijlee to a loveless life with baba-log brute Badal (Babbar, delivering to the dot).
But here's my angst - this movie could have been so much more. Like champagne gone flat, the film's left lying about for too late, its plot meandering everywhere (including a plane ride through moon-lit clouds, ending in a Maoist meeting), the director so determined to have fun that often, the viewer doesn't. Sure, there are hilarious moments involving pink buffaloes and deep wells, Shakespeare and Sheila Dixit, even a laal rang ka kachcha, and it's all very clever - but where's the self-control? With its intellectual foundation and dramatic potential, MKBKM needed disciplined direction, not wandering shots, predictable banter or dull crudity.
On the upside, Azmi's performance is effortlessly evil until the last swig. Anushka plays her now-familiar loud-spunky-sexy babe, unconvincing but attractive as an eccentric rustic. But despite her Pond-girl entry in see-through top and teeny shorts, Mandola's heart-throb is Imran Khan who's red-hot (literally), stubble and a sardonic air pumping his sex-appeal. With its Trilbys and tractors, malls and Maoism, its stretch limo and smart-boy! lines, MKBKM could have been such a fun ride. But sadly, director ka bhi man dola, rather too often.
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